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“Bye Bye Tiberias” first premiered at the Venice International Film Festival, more than a month before the start of the latest Israel-Hamas war, sparked by the militant group's deadly incursion into Israel on Oct. 7. It is the only Palestinian film in competition in Marrakech, where festival organizers have, unlike past years, not held screenings in a popular square that has seen protests against the war. Soualem declined to answer a question about how today's war affected reactions to her film. That year, the British ordered the family to leave their home in Tiberias, a city on the shores of the Sea of Galilee. “These images are the treasure of my memory that I don’t want to fade,” says Soualem, who narrates the documentary.
Persons: Hiam Abbass, , , Lina Soualem's, Abbass, ” “, ” splices, Nemat, Soualem, Soualem's, Deir Hanna, ” Abbass, ” Soualem Organizations: year's, Venice, Associated Press, West Bank, British, Palestinian National Theatre Locations: MARRAKECH, Morocco, , Marrakech, Israel, Gaza, Soualem, Europe, United States, Algeria, North Africa, France, Tiberias, Deir Hanna, Galilee, Syria, Palestinian,
Rachel Weisz and the Glorious Horrors of Pregnancy
  + stars: | 2023-04-21 | by ( Alexandra Kleeman | ) www.nytimes.com   time to read: +3 min
“Why are you wearing my vagina like it’s a [expletive] glove?” shouts one patient at the doctors working busily out of view. In the television world, babies are a convenient way to reinvigorate stale interpersonal dynamics, or a point of narrative pressure that forces characters to make dramatic choices. We’re used to a certain sleight of hand, carefully placed cuts and scenes where fresh-looking mothers in hospital gowns hold clean, swaddled infants in their arms. Real birthing is something more radical: Pregnancy involves a terraforming of the body that might appear terrifying if you were to see it at time-lapse speed. Thinking about all this puts birth in a different generic register depending on how it is framed and depicted.
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